FOX’s
Sleepy Hollow recently wrapped up a disappointing
but at times enjoyable second season. Hit the break to find out what I thought of the
urban fantasy series starring Nicole Beharie, Tom Mison, Katia Winter, Orlando
Jones, John Noble and Lyndie Greenwood.
The
first season of Sleepy Hollow was one
of my favourite new series of 2013. Mixing funny dialogue, an excellent
chemistry between the lead cast and some excellent, bonkers plots that weren’t
holding anything back, blending history with fantasy in several great ways over
the course of the tightly plotted thirteen episodes runtime. It was compulsively
addictive and ended on one of the best cliffhangers that you will quite
possibly ever see on television, and given Fox’s habit for cancelling shows
that have had excellent first seasons (Almost
Human, Firefly) I was really glad to see that the show had earned another
one. However, with the extended episode count, problems began to take ahold of Sleepy Hollow, as it adopted a more
case-of-the-week based approach than before, sacrificing season-long arcs in
favour of telling standalone stories that were often underwhelming (which was
mandated by FOX, who never learn). The cast was still good (save for one notable exception),
yes, and the start and end of the season was great, but on the whole, it was
fairly disappointing especially given the rather weak take on one of the series
major characters.
The
first season ended with the revelation that Henry (John Noble) was in fact the
son of Ichabod (Tom Mison) and Katrina (Katia Winter) and had been manipulating
them the whole time and was in league with Moloch and the Headless Horseman. To
make things more dramatic, just moments after Katrina had been freed from
purgatory, which was the main goal of Season 1, she was given to the Horseman
by Henry as part of their deal. And the rest of the team found themselves in
complete jeopardy - Abbie (Nicole Beharie) was banished to purgatory, Captain Frank
Irving (Orlando Jones) confessed to the murders of the police officer and a
priest and was promptly arrested, Jenny (Lyndie Greenwood) fell victim to a car
crash, and Ichabod was imprisoned, trapped in a wooden box beneath the ground
with seemingly no chance of escaping. The biggest question was – how could they
possibly resolve this? It seemed like the bad guys had won, but in the best
possible way it seemed, Sleepy Hollow answered
all of those questions, delivering a really strong premiere that was handled
incredibly well.
However,
it wasn’t long after that that things started to go downhill. Sleepy Hollow introduced the character
Hawley (Matt Barr) in the third episode where he quickly became the most
annoying character on the show, not really offering anything to his role. The
show also unsuccessfully introduced Captain Irving’s replacement; Reyes (Sakina
Jeffrey) who wasn’t fleshed out as well as she could have been, serving as a rather
forgettable character. There were also various other standalone characters who
failed to impress, such as the Angel Orion (Max Brown). But the biggest culprit
of all was Katrina (Katia Winter), who was underwhelming for most of the
season. This was partly because the strongest thing that the series had going
for it was the chemistry between the two leads, Nicole Beharie and Tom Mison,
and when Katrina was finally freed from the Horseman’s captivity, she only
broke up that chemistry that had made the show so great, and wasn’t really
given enough to do. The show tried to fix that with the final few episodes of
the season, which whilst were still pretty good, felt that her arc was
underdeveloped with her character making several choices that were
out-of-character.
However,
that’s not to say there were some good moments as well. The Nicole Beharie/Tom
Mison chemistry was excellent as always and John Noble absolutely killed it in
the role of Henry, with the revelation concerning his identity at the end of
Season 1 gave him plenty to do this year, even though his end was somewhat anti-climatic.
With
this show currently on the bubble, it’s not really certain whether or not we’ll
see Season 3 just yet. I was kind of happy to let Sleepy Hollow go after several underwhelming episodes, but the
two-part finale arc, which is certainly worth sticking around for if you’re put
off by the lack of quality of some of the standalone episodes, really made up
for it. The brief time-travel arc was among the best that the show has ever
done, making use of a fantastic cliffhanger for the penultimate episode. (Thankfully,
there wasn’t one in the finale, as it probably wouldn’t be able to Top Season 1’s).
We also got to listen to an incredible violin cover of The Rolling Stones’ Sympathy for the Devil.
So
despite quite a lot of flaws then, Sleepy
Hollow Season 2 never really became unwatchable and whilst it lacked the
sheer entertainment value of Season 1, I’d still rather watch another season of
this than sit through mediocre, generic crime series (looking at you, ABC’s Secrets and Lies). Because when Sleepy Hollow gets it right, it gets it
very right indeed.
VERDICT: 7.5/10
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